The Sun God
- Ryan Moorhen
- Oct 24, 2013
- 8 min read
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A solar deity (also sun god/dess) is a sky deity who represents the Sun, or an aspect of it, usually by its perceived power and strength. Solar deities and sun worship can be found throughout most of recorded history in various forms. Hence, many beliefs have formed around this worship, such as the “missing sun” found in many cultures.
A “solar barge” (also “solar bark”, “solar barque”, “solar boat” and “sun boat”) is a mythological representation of the sun riding in a boat. The “Khufu ship”, a 43.6-meter-long vessel that was sealed into a pit in the Giza pyramid complex at the foot of the Great Pyramid of Giza around 2500 BC, is a full-size surviving example which may have fulfilled the symbolic function of a solar barque. This boat was rediscovered in May 1954 when archeologist Kamal el-Mallakh and inspector Zaki Nur found two ditches sealed off by about 40 blocks weighing 17 to 20 tonnes each. This boat was disassembled into 1,224 pieces and took over 10 years to reassemble. A nearby museum was built to house this boat.
Other sun boats were found in Egypt dating to different pharonic dynasties.
Examples include:
Neolithic petroglyphs which (it has been speculated) show solar barges
The many early Egyptian goddesses who are related as sun deities and the later gods Ra and Horus depicted as riding in a solar barge. In Egyptian myths of the afterlife, Ra rides in an underground channel from west to east every night so that he can rise in the east the next morning.
The Nebra sky disk, which is thought to show a depiction of a solar barge.
Nordic Bronze Age petroglyphs, including those found in Tanumshede often contains barges and sun crosses in different constellations.
A “sun chariot” is a mythological representation of the sun riding in a chariot. The concept is younger than that of the solar barge, and typically Indo-European, corresponding with the Indo-European expansion after the invention of the chariot in the 2nd millennium BC.
Examples include:
In Norse mythology, the chariot of the goddess Sól, drawn by Arvak and Alsvid. The Trundholm sun chariot dates to the Nordic Bronze Age, more than 2,500 years earlier than the Norse myth, but is often associated with it.
Greek Helios riding in a chariot, (see also Phaëton)
Sol Invictus depicted riding a quadriga on the reverse of a Roman coin.
Vedic Surya riding in a chariot drawn by seven horses
The sun itself also was compared to a wheel, possibly in Proto-Indo-European, Greek hēliou kuklos, Sanskrit suryasya cakram, Anglo-Saxon sunnan hweogul (PIE *swelyosyo kukwelos).
The Neolithic concept of a solar barge, the sun as traversing the sky in a boat, is found in the later myths of Utu (Akkadian rendition of Sumerian UD “Sun”), the Sun god in Sumerian mythology, and the god of the sun, justice, application of law, and the lord of truth
Utu is the son of the moon god Nanna, or Sin (Akkadian: Su’en, Sîn), and the goddess Ningal. His brother and sisters are Ishkur and the twins Inanna and Ereshkigal. Marduk is spelled AMAR.UTU in Sumerian, literally, “the calf of Utu” or “the young bull of the Sun”. In the perfected system of astrology, the planet Jupiter was associated with Marduk by the Hammurabi period.
Nanna was the god of the moon in the Mesopotamian mythology of Akkad, Assyria and Babylonia. Nanna is a Sumerian deity, the son of Enlil and Ninlil, and became identified with the Semitic moon god Su’en/Sin, who is in origin a separate deity from Sumerian Nanna, but became syncronized with Nanna from the time of the Akkadian Empire and are identified as the same.
Nanna’s wife was Ningal (“Great Lady”), who bore him Utu/Shamash (“Sun”) and Inanna/Ishtar (the goddess of the planet Venus). The tendency to centralize the powers of the universe leads to the establishment of the doctrine of a triad consisting of Sin/Nanna and his children.
The original meaning of the name Nanna is unknown. The name of Ur, is itself derived from the theonym, and means “the abode (UNUG) of Nanna. The two chief seats of Nanna’s/Sin’s worship were Ur in the south of Mesopotamia and Harran in the north.
Utu is usually depicted as wearing a horned helmet and carrying a saw-edged weapon not unlike a pruning saw. It is thought that every day, Utu emerges from a mountain in the east, symbolizing dawn, and travels either via chariot or boat across the Earth, returning to a hole in a mountain in the west, symbolizing sunset. Every night, Utu descends into the underworld to decide the fate of the dead. He is also depicted as carrying a mace, and standing with one foot on a mountain. Its symbol is “sun rays from the shoulders, and or sun disk or a saw”.
The sun god is only modestly mentioned in Sumerian mythology with one of the notable exceptions being the Epic of Gilgamesh. In the myth, Gilgamesh seeks to establish his name with the assistance of Utu, because of his connection with the cedar mountain. Gilgamesh and his father, Lugalbanda were kings of the first dynasty of Uruk, a lineage that Jeffrey H. Tigay suggested could be traced back to Utu himself. He further suggested that Lugalbanda’s association with the sun-god in the Old Babylonian version of the epic strengthened “the impression that at one point in the history of the tradition the sun-god was also invoked as an ancestor”.
In Sumerian mythology, the utukku were a type of spirit or demon that could be either benevolent or evil. In Akkadian mythology, they were referred to as utukki, were seven evil demons who were the offspring of Anu and Antu.
The evil utukku were called Edimmu or Ekimmu; the good utukku were called shedu. Two of the best known of the evil Utukku were Asag (slain by Ninurta) and Alû.
Assyro-Babylonian Shamash (“Sun”) plays an important role during the Bronze Age, and “my Sun” is eventually used as an address to royalty. Similarly, South American cultures have a tradition of Sun worship, as with the Incan Inti. Svarog is the Slavic god sun and spirit of fire.
Together with Nanna-Sin and Ishtar, Shamash completes another triad by the side of Anu, Enlil and Ea. The three powers Sin, Shamash and Ishtar symbolized three great forces of nature: the moon, the sun, and the life-giving force of the earth, respectively. At times instead of Ishtar we find Adad, the storm-god, associated with Sin and Shamash, and it may be that these two sets of triads represent the doctrines of two different schools of theological thought in Babylonia which were subsequently harmonized by the recognition of a group consisting of all four deities.
Both in early and in late inscriptions Shamash is designated as the “offspring of Nannar”; i.e. of the moon-god, and since, in an enumeration of the pantheon, Sin generally takes precedence of Shamash, it is in relationship, presumably, to the moon-god that the sun-god appears as the dependent power. Such a supposition would accord with the prominence acquired by the moon in the calendar and in astrological calculations, as well as with the fact that the moon-cult belongs to the nomadic and therefore earlier stage of civilization, whereas the sun-god rises to full importance only after the agricultural stage has been reached.
In ancient Egypt, with Ra and Horus. Earlier Egyptian myths imply that the sun is within the lioness, Sekhmet, at night and can be seen reflected in her eyes or that it is within the cow, Hathor during the night, being reborn each morning as her son (bull).
Sun worship was prevalent in ancient Egyptian religion. The earliest deities associated with the sun are all goddesses: Wadjet, Sekhmet, Hathor, Nut, Bast, Bat, and Menhit. First Hathor, and then Isis, give birth to and nurse Horus and Ra. Hathor the horned-cow is one of the 12 daughters of Ra, gifted with joy and is a wet-nurse to Horus.
The Sun’s movement across the sky represents a struggle between the Pharaoh’s soul and an avatar of Osiris. Ra travels across the sky in his solar-boat; at dawn he drives away the demon Apep of darkness. The “solarisation” of several local gods (Hnum-Re, Min-Re, Amon-Re) reaches its peak in the period of the fifth dynasty.
Ra or Re is the ancient Egyptian solar deity. By the Fifth Dynasty (2494 to 2345 BC) he had become a major god in ancient Egyptian religion, identified primarily with the midday sun. The meaning of the name is uncertain, but it is thought that if not a word for ‘sun’ it may be a variant of or linked to words meaning ‘creative power’ and ‘creator’.
The major cult centre of Ra was Heliopolis (called Iunu, “Place of Pillars”, in Egyptian), where he was identified with the local sun-god Atum. Through Atum, or as Atum-Ra, he was also seen as the first being and the originator of the Ennead, consisting of Shu and Tefnut, Geb and Nut, Osiris, Set, Isis and Nephthys.
In later Egyptian dynastic times, Ra was merged with the god Horus, as Re-Horakhty (“Ra, who is Horus of the Two Horizons”). He was believed to rule in all parts of the created world: the sky, the earth, and the underworld. He was associated with the falcon or hawk.
When in the New Kingdom the god Amun rose to prominence he was fused with Ra as Amun-Ra. During the Amarna Period, Akhenaten suppressed the cult of Ra in favour of another solar deity, the Aten, the deified solar disc, but after the death of Akhenaten the cult of Ra was restored.
The cult of the Mnevis bull, an embodiment of Ra, an aspect of the chief god in the region of Heliopolis, Atum-Ra, had its centre in Heliopolis and there was a formal burial ground for the sacrificed bulls north of the city.
All forms of life were believed to have been created by Ra, who called each of them into existence by speaking their secret names. Alternatively humans were created from Ra’s tears and sweat, hence the Egyptians call themselves the “Cattle of Ra.” In the myth of the Celestial Cow it is recounted how mankind plotted against Ra and how he sent his eye as the goddess Sekhmet to punish them. When she became bloodthirsty she was pacified by mixing beer with red dye.
Proto-Indo-European religion has a solar chariot, the sun as traversing the sky in a chariot. In Germanic mythology this is Sol, in Vedic Surya, and in Greek Helios (occasionally referred to as Titan) and (sometimes) as Apollo.
During the Roman Empire, a festival of the birth of the Unconquered Sun (or Dies Natalis Solis Invicti) was celebrated on the winter solstice, the “rebirth” of the sun, which occurred on December 25 of the Julian calendar.
In late antiquity, the theological centrality of the sun in some Imperial religious systems suggest a form of a “solar monotheism.” The religious commemorations on December 25 were replaced under Christian domination of the Empire with the birthday of Christ.
The Ādityas are one of the principal deities of the Vedic classical Hinduism belonging to Solar class. In the Vedas, numerous hymns are dedicated to Mitra, Varuna, Savitr etc.
Even the Gayatri mantra, which is regarded as one of the most sacred of the Vedic hymns is dedicated to Savitr, one of the principal Ādityas. The Adityas are a group of solar deities, from the Brahmana period numbering twelve. The ritual of sandhyavandanam, performed by Hindus, is an elaborate set of hand gestures and body movements, designed to greet and revere the Sun.
The sun god in Hinduism is an ancient and revered deity. In later Hindu usage, all the Vedic Ādityas lost identity and metamorphosed into one composite deity, Surya, the Sun. The attributes of all other Ādityas merged into that of Surya and the names of all other Ādityas became synonymous with, or epithets of, Surya.


